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August 28, 2008

Olympic Fuel Tip #12 – Can You Control Your Camera’s Focus?

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The Right Way to Travel
August 29, 2008 - "Olympic Fuel" Tip #12
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I’m in Ecuador this week hosting our second photography expedition in Cotacachi this year.  So, today’s "Olympic Fuel" tip comes from professional photographer, Rich Wagner, here with us.  

Rich offered up this “focus” tip to an attendee during our group photo review this morning.

Take a close look at the photo below. The little boy is slightly out of focus, as the camera chose to focus on the bicycle rim. This happened because the camera’s default setting was to have the focus point in the center of the picture – and the little boy is just to the left of that center point.



Having your subject in focus is critical to making a salable photograph. And, to do that, you need to be in charge. Don’t let the camera make that decision for you. Here are three ways to take control of your focus:

1. Temporarily put your subject in the center of your viewfinder, then press the shutter button halfway and hold it. Recompose the shot and push the shutter button all the way down to take the picture. (This locks the focus as long as you have the shutter held halfway down. The problem is, it usually locks the exposure as well, and that might not work with the shot. Try methods two or three.)

2. All DSLRs, and many point-and-shoots, allow you to manually select the focus point. This usually involves rotating a dial on the back of the camera while looking through the viewfinder. The different focus points will be highlighted one at a time so you can make your choice. Check your manual for specifics.

3. With all the great new technology, don’t forget you also have the option of manually focusing your lens (even some point-and-shoot cameras have a manual focus setting). Turn off autofocus (it’s either a switch on the camera body or a switch on the lens) and just focus manually. With a little practice, this is very easy and fast to do – it’s also often easier to achieve focus in low-light situations this way.

Remember, great composition can be ruined by an out-of-focus main subject. Make sure you’re in control. Make the camera work for you. Don’t let it make all the decisions.

[Editor’s note: When I was in Panama earlier this month, I met up with an Indian tribe that migrated to Panama from Ecuador to work on the Panama Canal.

They couldn’t have been more welcoming when my husband and I went to visit them.  They invited us in, offered us lunch, gave us a tour of their village, and even reenacted a few traditional dances for us, offering to paint our arms in their traditional tribal celebration paint (made mostly of crushed berries and fruit) so we could participate in the party.

Now that I’m here in Ecuador, I understand why they were so warm and welcoming.  Yesterday, when our group of attendees was walking through an indigenous village to see the resident cobbler and learn how he makes shoes, the women at the elementary school invited us in to meet the children.  

She said they don’t get many visitors, but they like to teach the children not to be afraid of other cultures… to embrace the idea that we’re all different and that’s not a scary thing.

So we went in and the children gathered along the wall to sing a little song for us and dance. They even pulled up a few attendees to dance with them, which you’ll see here.

When we go to Panama, I’d like to take our group to see these Ecuadorian-descended Indians… so they’ll see what I mean about Ecuadorians being among the friendliest people in the world.

Because it’s a full day’s journey, we’ll schedule this side-trip after the workshop. The tribe lives 45 minutes outside the city, and when you get to the water’s edge, they have to come pick you up by motorized canoe. From there, it’s another 10- to 20-minute boat ride. And we’ll want to stay all day.

Click here for more details about our upcoming Panama event.]


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(c) 2008 American Writers & Artists Inc.
245 NE 4th Ave., Ste 102
Delray Beach, FL 33483
Phone (561) 278-5557
Fax (561) 278-5929
memberservices@awaionline.com

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Panama pictures

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

August 27, 2008

Olympic Fuel Tip #10: Are Your Photos Telling a Story?

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The Right Way to Travel
August 27, 2008 - "Olympic Fuel" Tip #10
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Shelly Perry here, again, with your "Olympic Fuel" tip of the day.

Last week I heard on NPR's All Things Considered a great piece about Olympic photographers and how they capture a story of wins or losses in pictures and then quickly process and distribute them. (You can read it here.)
 
I was reminded, as I listened, about how important it really is to not simply "record" an event or a place... but to use your photos to tell a story about it.
 
That's what editors really want. And there are a few things you can do to ensure you're delivering that kind of visual commentary...

THREE WAYS TO CAPTURE A STORY IN YOUR PHOTOS
 
** 1. Make sure every photo offers a focus point for your viewer. Don't just take a series of horizontal "snapshots" that show what's there. Instead, compose your shots to call your viewer's attention to something (be it a person or an object) in particular.

** 2. Take close-ups.  Get in there and get the details.  Sometimes the race is so close, Olympic officials rely on the "photo-finish."  Those shots need to be detailed down to the millimeter to show who won the gold in the last split seconds of the race.  Train yourself to capture small details in your shots, too, as they can be extremely useful to an editor.

** 3. Make sure to include the human element in your story.  Just as you would have virtually no story about the Olympics if you omitted the athletes, most every story has some human element involved.  It's up to you to capture it in your photos.
 
[Ed. Note: You don't have to be an Olympic photographer to take photos you can sell.  But it helps to know where to start, how to get the kinds of shots that editors scramble to buy, and how to market your photos so you'll sell more of them, more often.

Find out how to turn your everyday snapshots into paychecks... and break into a life of creativity, freedom, and fun with Turn Your Pictures into Cash: A Comprehensive Program in Taking and Selling Amazing Photographs

Get started now and save $86 plus get FREE shipping during our Summer Olympics Sale, here.

Or browse our Summer Olympics Sale catalog for more photo resources here.]


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(c) 2008 American Writers & Artists Inc.
245 NE 4th Ave., Ste 102
Delray Beach, FL 33483
Phone (561) 278-5557
Fax (561) 278-5929
memberservices@awaionline.com

To LEARN MORE, visit:
http://www.thetravelwriterslife.com
http://www.thephotographerslife.com

August 23, 2008

Olympic Fuel Tip #6 – 3 Tips from of a Stock Photo Insider

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The Right Way to Travel
August 23, 2008 - “Olympic Fuel” Tip #6
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Shelly Perry here, again, with your “Olympic Fuel” tip of the day.

I’m a stock photographer, but I also work as a photo inspector for istock.com.  That means it’s up to me to decide which photos make the cut.

I see a lot of photos come through -- good and bad.  Some photographers understand the ingredients that go into a stock-worthy shot… and their photos sell hundreds to thousands of times over.  

Like Lise Gagne, for instance. When she started taking photos she didn't have any experience to speak of and her camera was a cheap pawnshop point-and-shoot.

But she systematically worked at figuring out the keys to taking shots that sell. Now she's the top-selling photographer at iStockphoto -- with 735,732 image sales and counting. She makes well over $200,000 a year from her stock images.  

Yet for every photographer who, like Lise, understands the fundamentals of a winning photo, there are two or three who miss the mark more often than not, struggling to get their photos accepted, much less sold.  

If you’d like to follow in Lise’s footsteps, here are three tips to put you on the right path…

STOCK INSPECTOR’S TOP 3 PHOTO-SAVING ELEMENTS:

** 1. Good composition with a dominant subject.  Believe it or not, you would be hard pressed to find a subject in some of the image submissions I see. Make sure you know who or what your subject is and then compose your shot around it.  Composition can make or break an image.

** 2. Focus.  There is no need to always shoot in f-22 so you have focus throughout the image... but even with a shallow depth of field, where parts of the photo will be blurry, there should be an area of clear focus in every photograph you submit for stock.

** 3. Proper lighting.  Lighting is the real key to photography, and the better you can get at recognizing good lighting and making it happen in your photos, the better off your shots will be.  Most importantly, avoid the noon-day sun and strong, mixed or dappled lighting -- such as shade from a tree with sun shining through in spots between the leaves.

[Ed. Note: Photo opportunities exist everywhere. On the roadside... at work... while talking with friends... It just takes a certain eye to turn those opportunities into profits.

It isn’t difficult. It’s simply a matter of paying attention to a handful of key fundamentals. It took Lise Gagne a few years to figure them out for herself. But she just comes out and tells you her secrets on our 2008 Ultimate Photo Workshop-at-Home Package.

Recorded at our Austin workshop this past January, you’ll hear not only from Lise, but from Shelly Perry, too, along with a whole host of other photo experts. And in addition to the keys for succeeding with stock, you’ll also learn about shooting for at least five other markets you may never have even considered before.

We’re about to closeout this product and take it out of our catalog for good. But until then -- during our Summer Olympics Sale -- we’ve slashed the price by more than 60%. So it’s now or never for this deal. If you’re ready to set yourself up to be a six-figure stock-photographer, grab your discount here, while you still can. ]

Or browse our Summer Olympics Sale catalog for more photo resources here.]


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The Right Way to Travel is a FREE newsletter from the American Writers & Artists Inc., available to AWAI members and friends.

(c) 2008 American Writers & Artists Inc.
245 NE 4th Ave., Ste 102
Delray Beach, FL 33483
Phone (561) 278-5557
Fax (561) 278-5929
memberservices@awaionline.com

To LEARN MORE, visit:
http://www.thetravelwriterslife.com
http://www.thephotographerslife.com

August 20, 2008

Olympic Fuel Tip #3 - Hit 'Em with Your Best Shots

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The Right Way to Travel
August 20, 2008 - "Olympic Fuel" Tip #3
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Shelly Perry here.

I shoot a lot of portraits.  It works well for me because I like photographing people, and my people shots are usually good sellers for stock -- so sometimes I make twice the money.

Occasionally, a client will ask me for a CD of all the images I took of her -- good and bad.  And so my "Olympic Fuel" tip today is: Don't give it to her.

Some clients think they want a CD of every image you took of them.  But what they don't realize is that when you set up a portrait shoot, you'll easily take over 100 shots in hopes of getting 12-24 that are good enough to show them. 

If you were to show them an entire CD of 88 bad photos and 12 good ones, they'd subconsciously focus on the massive amount of bad photographs.  This isn't good for your reputation as a photographer -- or for your model's self-image.

You can always use lighting techniques, camera angles, colors, special poses, and other portrait-photographer tricks to bring out your model's best features.

However, there will inevitably be a few shots that don't come out well... where your model looks a little too heavy, too tired, her eyes are closed, or she's making a weird face.  Do yourself and your model a favor and get rid of those shots.  Don't ever give her the chance to think, "Boy, I'm just not very photogenic, am I?"  Give her only the best shots you took and you'll both be happier in the end.

[Ed. Note: You can increase the number of photos that make your client look good -- and in the end, sell more to both your client and stock -- by using the portrait-photographer tricks Shelly mentioned above.  She shared her most successful techniques with us in a new special report called: How to Look 10 Years Younger and 20 Pounds Lighter in Every Photo You Take.

Pick up your copy now for 20% off during our Summer Olympics Sale. You’ll find it here: http://www.thephotographerslife.com/ten/cat

Or browse our entire catalog of discounted products on our special sale page: http://www.thephotographerslife.com/get_started .]


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The Right Way to Travel is a FREE newsletter from the American Writers & Artists Inc., available to AWAI members and friends.

(c) 2008 American Writers & Artists Inc.
245 NE 4th Ave., Ste 102
Delray Beach, FL 33483
Phone (561) 278-5557
Fax (561) 278-5929
memberservices@awaionline.com

To LEARN MORE, visit:
http://www.thetravelwriterslife.com
http://www.thephotographerslife.com

August 13, 2008

Photo tip: 2 Ways to Lose 10 Lbs in Under 28 Minutes

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August 13, 2008
The Right Way to Travel, Weekly Photo Tip
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SLIM DOWN YOUR MODEL WITH DIFFUSED LIGHT
By Shelly Perry in Portland, OR

To give your subject a more slimming silhouette and a healthier look in photos, it's best to photograph with diffused light.  That means you should avoid midday sunlight or direct flash, which create unflattering harsh shadows, glare, and shine.

The general rule of thumb for photographing people outdoors in natural light is to shoot them earlier in the morning or later in the afternoon. Or wait for an overcast day.

If you're photographing indoors and you need to use a flash, one way to diffuse the light is to bounce the flash.

To do that you'll need an external flash -- one of those flashes you buy separately that plugs into the hot shoe of your camera.

Instead of pointing the external flash directly at your subject, which would give you about the same results as you'd get with your on-camera flash, point the flash at a nearby wall or the ceiling, so that the light bounces off and falls on your subject in a softer, more diffused way.

Be aware that colored surfaces will reflect their color back onto your subject, so white walls and ceilings are best for bouncing.

Doing this will not only reduce harsh shadows, making your subject appear slimmer and better looking, but it's also more relaxing than photographing someone with a bright, glaring flash.  And a more relaxed subject means a better looking one, too.

Knowing how to make people look good is important to me, because the better people look in my photos, the more photos I sell... and it'll be the same for you. 

There are plenty of other ways to make your subject look slimmer, healthier, and generally more radiant in photos... and I wrote them all down in AWAI's guide, How to Look 10 Years Younger and 20 Pounds Lighter in Every Photo You Take.

Pick it up now during the Olympic Sale and you'll save 20% on a resource that'll help you sell more photos for stock, editorial, or even fine art.  Get it now and save 20% here.

[Ed. Note: Shelly Perry from Portland, Oregon, specializes in people photography, what she calls documentary or lifestyle portraits. Shelly's concern for people is reflected both in her sense of purpose and the images she produces. 

Her photos have been seen all over the globe on music CD covers, books, magazines, catalogues, web sites, ad campaigns and even on TV. Her work has also appeared in several local exhibits and gallery shows.]

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 (c) 2008 American Writers & Artists Inc.
245 NE 4th Ave., Ste 102
Delray Beach, FL 33483
Phone (561) 278-5557
Fax (561) 278-5929
memberservices@awaionline.com

To LEARN MORE, visit:
http://www.thetravelwriterslife.com
http://www.thephotographerslife.com

To ADVERTISE in The Right Way to Travel, email Jackie Flynn at jflynn@awaionline.com

CHANGE OF ADDRESS? E-mail us at memberservices@awaionline.com with both your old AND new information in the body of the message.

August 6, 2008

July Winners: "We the People"

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August 6, 2008
The Right Way to Travel, Weekly Photo Tip
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WE THE PEOPLE -- WINNING ENTRIES
By Shelly Perry in Portland, OR

Last month's Photo Challenge theme, "We the People," brought out a number of photos with winning qualities, making it difficult to narrow it down to the top three.  But narrow it down we did -- and here they are...

**First Place goes to CM for "School Boys in the Park"

**Second Place goes to Heartsings for "Over Their Heads"

**Third Place goes to Lynnette for "We Like to Have Fun"

**Honorable Mention goes to VanWhite for "The Fire Fighter"

June's winner was Lyn, so she got to pick July's winner.  Here is what she had to say about her First-Place pick of "School Boys in the Park" by CM:

FIRST PLACE - SCHOOL BOYS IN THE PARK



"All the photos are so lovely in different ways but the one that really catches my eye every time I go through them is the one titled, 'School Boys in the Park.' 

"The photographer's choice of black and white brings out the contrast in the different textures in the photo and you can almost feel it must have been a chilly morning in the park.

"The blur of the pigeons adds feeling and movement and CM made good use of the rule of thirds.  I love the expressions that have been captured on the boys' faces, seemingly totally unaware that they were being photographed."

I couldn't agree more with Lyn. This is an absolutely charming shot!

SECOND PLACE - OVER THEIR HEADS



Timing does not get any better than this; it's what Henri Cartier-Bresson (a French photographer considered to be the father of modern photojournalism) called "the decisive moment."

This photographer did a very nice job of being ready for this shot and when everything came together, was able to capture it beautifully. It has nice lighting and exposure, excellent composition, and it's loaded with story.

THIRD PLACE - WE LIKE TO HAVE FUN



This photographer made excellent use of a slow shutter speed and available light on this shot. The movement of the carnival ride and some of the people in contrast to the solid lights of the booths and the faces of the people who were standing still make this shot interesting and dynamic.

HONORABLE MENTION - THE FIRE FIGHTER



This shot is striking with the stark contrast from the mist of the water, to the slight white outline on the fully silhouetted firefighter, to the icicles hanging off the equipment and the rich clear blue sky. The shot has excellent composition, as well.

Congratulations to each of our winners.



ENTER TO WIN!

"From Birth to Burial - Ceremonies Around the World" is the theme for this month's Photo Challenge.  You have until Monday, August 25 at 8:00 a.m. EST, to submit your photo. If you're a first-time user, you'll need to register first on the "register" link on the right sidebar. Once you have a username and password, click "Enter to Win" to upload your photo. Only one photo per applicant will be considered.

[ABOUT THE AUTHOR: Shelly Perry from Portland, Oregon, specializes in people photography, what she calls documentary or lifestyle portraits. She is known especially for her imaging of children. Shelly's concern for people is reflected both in her sense of purpose and the images she produces. 

Her images have been seen all over the globe on music CD covers, books, magazines, catalogues, web sites, ad campaigns and even on TV. Her work has also appeared in several local exhibits and gallery shows. Shelly is a contributor to AWAI's home-study photography program, Turn Your Pictures into Cash, available at a discount here.]

 

 

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(c) 2008 American Writers & Artists Inc.
245 NE 4th Ave., Ste 102
Delray Beach, FL 33483
Phone (561) 278-5557
Fax (561) 278-5929
memberservices@awaionline.com

To LEARN MORE, visit:
http://www.thetravelwriterslife.com
http://www.thephotographerslife.com