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    <updated>2009-06-30T22:46:07Z</updated>
    
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<entry>
    <title>July Photo Challenge Theme: Wet &apos;N Wild!</title>
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    <id>tag:www.thephotographerslife.com,2009://1.325</id>
    
    <published>2009-07-01T22:36:49Z</published>
    <updated>2009-06-30T22:46:07Z</updated>
    
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        <name>The Photographers Life</name>
        
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        <![CDATA[<p>By Shelly Perry in Portland, OR<br /><br />Temperatures are rising, so get out the sunscreen and hit the pool, river, lake, ocean or heck, even the sprinklers. Whatever cools you off. While you&rsquo;re at it, get out your camera and grab some aquatic action shots for this month&rsquo;s Photo Challenge theme: Wet &lsquo;N Wild.<br /><br />If you&rsquo;re shooting outdoors in the bright sun, pay close attention to your <a href="http://www.thephotographerslife.com/adjust_for_exposure">exposure</a>. <br /><br />And, of course, keep your camera safely out of water&rsquo;s way so you don&rsquo;t have to submerge it in rice (<a href="http://www.thephotographerslife.com/travel_tips/save_wet_electronics">more on how to save wet electronics here</a>).<br /><br />Acceptable photo entries include:<br /><br />Kids (or adults) splashing and having fun at the pool: <br /></p><p><img border="0" src="http://www.thephotographerslife.com/wnw_boyinpool.jpg" /></p><p>Running and jumping in the sprinklers:</p><p><img border="0" src="http://www.thephotographerslife.com/wnw_sprinkler.jpg" />&nbsp;</p><p>Wet and wild pets: </p><p><img border="0" src="http://www.thephotographerslife.com/wnw_dogshake.jpg" />&nbsp;</p><p>... and any other well-composed, theme-appropriate summertime water shots (so long as they&rsquo;re clean and decent, of course).<br /><br />And don&rsquo;t forget about composition (like the <a href="http://www.thephotographerslife.com/rule_of_thirds">Rule of Thirds</a>), focus, cropping, and exposure.<br /><br />To enter, send us your ONE best theme-appropriate photo. Multiple entries from the same photographer will be deleted before judging.<br /><br />Submissions for July&rsquo;s Photo Challenge are due by 8 a.m. EDT on Monday, July 27, 2009. You can submit your photos by clicking on the &quot;This Month&rsquo;s Theme - Enter to Win!&quot; link on the right side bar of this page.<br /><br />Details about <a href="http://www.thephotographerslife.com/photo_contest/guidelines">Photo Challenge guidelines are here</a>.<br /><br />[ABOUT THE AUTHOR: Shelly Perry from Portland, Oregon, specializes in people photography, what she calls documentary or lifestyle portraits. She is known especially for her imaging of children. Shelly&rsquo;s concern for people is reflected both in her sense of purpose and the images she produces. Her images have been seen all over the globe on music CD covers, books, magazines, catalogues, web sites, ad campaigns and even on TV. Her work has also appeared in several local exhibits and gallery shows. You can meet Shelly in person at the <a href="http://www.thetravelwriterslife.com/tww/denver09">Ultimate Travel Writer's Workshop</a> this July in Denver, Colorado.]<br /><br />*******************************<br /><br />The Right Way to Travel is a FREE newsletter from the American Writers &amp; Artists Inc., available to AWAI members and friends.<br /><br />(c) 2009 American Writers &amp; Artists Inc.<br />245 NE 4th Ave., Ste 102<br />Delray Beach, FL 33483<br />Phone (561) 278-5557<br />Fax (561) 278-5929<br />memberservices@awaionline.com<br /><br />To LEARN MORE, visit: <br /><a href="http://www.thetravelwriterslife.com">http://www.thetravelwriterslife.com</a><br /><a href="http://www.thephotographerslife.com/">http://www.thephotographerslife.com </a><br />&nbsp;</p>]]>
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<entry>
    <title>Save wet electronics with these 4 tips</title>
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    <published>2009-07-01T22:11:17Z</published>
    <updated>2009-06-30T22:31:30Z</updated>
    
    <summary><![CDATA[Save wet electronics: If your camera, cell phone, or other device accidentally gets wet when you&rsquo;re traveling (or at home), try these four tricks...]]></summary>
    <author>
        <name>The Photographers Life</name>
        
    </author>
            <category term="Digital Camera Tips" />
            <category term="E-Letter Archives" />
            <category term="Travel Tips" />
    
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        <![CDATA[<p>Dear Reader,</p><p>We published this <strong>save wet electronics</strong> travel tip back in December of last year. But it fits nicely with this month&rsquo;s Photo Challenge theme. So I&rsquo;m including it here in our July 4th Travel series.<br /><br />This series goes along with our current 4th of July sale, where you can <a href="http://www.thetravelwriterslife.com/75off/letushelp">get a selection of our very best travel writing, photography, or travel resources for 75% off</a>.<br /><br />TRAVEL TIP #1: <strong>SAVE WET ELECTRONICS</strong> WITH RICE<br /><br />If your camera, cell phone, or other device accidentally gets wet when you&rsquo;re traveling (or at home), try the following tricks to <strong>save wet electronics</strong>:<br /><br />** 1. Do NOT turn it on if it&rsquo;s wet. Remove the battery and memory card and leave all the doors and covers on the device open so it can dry.<br /><br />** 2. Vacuum it out. If you try drying the device with a fan or a blow dryer, you risk pushing moisture deeper onto the circuitry. This could cause a short. Instead, pull moisture away from the device with a vacuum. <br /><br />** 3. Bury it in rice. Rice absorbs moisture from nearby objects. If your camera gets wet, drop it into a container of rice and let it sit for a day. The rice will help pull the moisture out.<br /><br />** 4. Power it back up. After your camera or phone spends a full day submerged in rice, reinsert the battery and cards, and turn it on. If it doesn&rsquo;t work, call the manufacturer.&nbsp; Don&rsquo;t try to hide the fact that it got wet. There are internal indicators in most devices that show water damage.<br /><br />Further resources:<br /></p><p><a href="http://www.thetravelwriterslife.com/2008/12/camera_rice.php">Pictures of how to <strong>save wet electronics</strong> with rice are here</a>. <br /></p><p><a href="http://www.pcworld.com/article/157985">Watch how to <strong>save wet electronics</strong> with this PC World video</a>. <br /></p><p>*******************************<br /><br />The Right Way to Travel is a FREE newsletter from the American Writers &amp; Artists Inc., available to AWAI members and friends.<br /><br />(c) 2009 American Writers &amp; Artists Inc.<br />245 NE 4th Ave., Ste 102<br />Delray Beach, FL 33483<br />Phone (561) 278-5557<br />Fax (561) 278-5929<br />memberservices@awaionline.com<br /><br />To LEARN MORE, visit: <br />http://www.thetravelwriterslife.com<br />http://www.thephotographerslife.com <br /></p>]]>
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<entry>
    <title>My favorite photos from this month’s theme...</title>
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    <published>2009-06-24T17:28:48Z</published>
    <updated>2009-06-24T18:36:23Z</updated>
    
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            <category term="E-Letter Archives" />
            <category term="Photography Tips and Tricks" />
    
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        <![CDATA[<p>Dear Reader,<br /><br />Here&rsquo;s this week&rsquo;s photo tip, with three of photographer Shelly Perry&rsquo;s favorite shots from the Photo Challenge...<br /><br />Lori Allen<br />Director, AWAI Travel Division<br /><br />P.S. Remember: Our <a href="http://www.thetravelwriterslife.com/tel3/letushelp">Get Paid to Travel Teleconference</a> is coming up next Monday evening. Listen in as freelance writer Jennifer Stevens talks with writer and &ldquo;freebie queen&rdquo; Steenie Harvey, prolific writer Roy Stevenson, and a surprise special guest, about just how easy it is to start exploring the world, meeting new people, and enjoying the freedom and independence of an income, no matter where in the world you choose to live.<br /><br />Plus, when sign up now, you&rsquo;ll also get a free gift: How to Get Started as a Travel Writer. It&rsquo;s a resource guide written by Jennifer Stevens that lays out exactly what you need to do to get yourself up and running as a travel writer so you don&rsquo;t have to wait years to cash in on the benefits. <a href="http://www.thetravelwriterslife.com/tel3/now">Reserve your spot on the call and get your free gift, here</a>. <br /><br />*******************<br />June 24, 2009<br />The Right Way to Travel, Weekly Photo Tip<br />*******************<br /><br />FROM GOOD TO STOCK<br />By Shelly Perry in Portland, OR<br /><br />As an official stock photo inspector, I&rsquo;m trained to look at every little detail in a photo. And every month, while sorting through the Photo Challenge submissions, I come across some shots that are really good, but could still be improved in one small way or another.<br /><br />Three of this month&rsquo;s submissions stand out for me as great shots that could use just a little tweak to make them stock-worthy.<br /><br />Here&rsquo;s the first shot&hellip; <br /></p><p><img height="299" width="450" border="0" src="http://www.thephotographerslife.com/contest/data/media/38/152.JPG" /><br /><br />The only thing I would suggest for this photo is a little processing. Here it is with a small levels and curves adjustment (<a href="http://www.thephotographerslife.com/levels_curves">more on how to adjust levels and curves here</a>). <br /><br /><img border="0" src="http://www.thephotographerslife.com/toadyou2.jpg" />&nbsp;<br /><br />Notice how these two simple adjustments give the shot more &ldquo;pop&rdquo; with a little more contrast and brighter colors.<br /><br />Here&rsquo;s another one&hellip;<br /><br />This shot, called &quot;Mutual Comfort,&quot; is a darling photo. Shots like this, with a strong human-animal relationship element, can be high sellers for stock. In this case, since the person in the photo is not recognizable, a model release would probably not be required.<br /><br /><img height="361" width="450" border="0" src="http://www.thephotographerslife.com/contest/data/media/38/puppy.jpg" /><br /><br />My only suggestion for this shot might be to get in a bit closer and put the puppy a bit further, placing him on the right Thirds Line, like this:<br /><br /><img border="0" src="http://www.thephotographerslife.com/mutcomf2.jpg" />&nbsp;<br /><br />In this third shot, below, I get the feeling that the photographer kept taking photos and trying different approaches as she watched her children playing -- something I always advocate doing. <br /><br /><img height="337" width="450" border="0" src="http://www.thephotographerslife.com/contest/data/media/38/S7001379.JPG" /><br /><br />I suggest running it through some processing and possibly giving it an even tighter composition. Placing the hands on the thirds line would make the composition stronger and leave good space for editorial copy:<br /><br /><img border="0" src="http://www.thephotographerslife.com/friendscrop.jpg" />&nbsp;<br /><br />Note: Lightroom and Photoshop instruction videos come with the <a href="http://www.thephotographerslife.com/ph2/website/">Turn Your Pictures into Cash program</a>.<br /><br />ENTER TO WIN!<br /><br />This month&rsquo;s Photo Challenge theme is Body Language. If you have a picture to submit, log on to our website and click on the Enter to Win tab. (Note: First-time users need to register on the &quot;register&quot; link on the right side bar first. Once you have a username and password, click &quot;Enter to Win&quot; to upload your photo. Only one photo per applicant will be considered. No purchase necessary to register.)<br /><br />The &ldquo;Body Language&rdquo; Challenge photo submission due date is extended to 8:00 a.m. EST, Monday, June 29, 2009. <br /><br />[ABOUT THE AUTHOR: Shelly Perry from Portland, Oregon, specializes in people photography, what she calls documentary or lifestyle portraits. She is known especially for her imaging of children. Shelly&rsquo;s concern for people is reflected both in her sense of purpose and the images she produces. Her images have been seen all over the globe on music CD covers, books, magazines, catalogues, web sites, ad campaigns and even on TV. Her work has also appeared in several local exhibits and gallery shows. You can meet Shelly in person at the <a href="http://www.thetravelwriterslife.com/tww/denver09">Ultimate Travel Writer's Workshop</a> this July in Denver. ]<br /><br />*******************************<br /><br />The Right Way to Travel is a FREE newsletter from the American Writers &amp; Artists Inc., available to AWAI members and friends.<br /><br />(c) 2009 American Writers &amp; Artists Inc.<br />245 NE 4th Ave., Ste 102<br />Delray Beach, FL 33483<br />Phone (561) 278-5557<br />Fax (561) 278-5929<br />memberservices@awaionline.com<br /><br />To LEARN MORE, visit: <br /><a href="http://www.thetravelwriterslife.com">http://www.thetravelwriterslife.com</a><br /><a href="http://www.thephotographerslife.com/">http://www.thephotographerslife.com </a><br /><br /><br /></p>]]>
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<entry>
    <title>How to sell an overdone photo</title>
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    <id>tag:www.thephotographerslife.com,2009://1.322</id>
    
    <published>2009-06-17T18:49:02Z</published>
    <updated>2009-06-17T19:31:45Z</updated>
    
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            <category term="Advice on Selling Photos" />
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        <![CDATA[<p>Dear Reader,<br /><br />Here&rsquo;s today&rsquo;s photo tip&hellip;<br /><br />-- Lori<br /><br />Lori Allen<br />Director, AWAI Travel Division<br /><br />P.S. Including photos with your articles increases your chance of landing by-lines... and can double your pay per article, too. That&rsquo;s why we&rsquo;re bringing Shelly with us to the Ultimate Travel Writer&rsquo;s Workshop in Denver this July. She&rsquo;ll show you how to take the kinds of photos that editors love -- even if you&rsquo;re using a small, point-and-shoot camera. Get all the workshop details, and see the schedule, here: <a href="http://www.thetravelwriterslife.com/tww/denver09">http://www.thetravelwriterslife.com/tww/denver09</a> <br /><br />Remember, though -- if you&rsquo;d like to join us in Denver, the Early Bird Discount ends in just two days. So sign up soon to save $300, here: <a href="http://www.thetravelwriterslife.com/tww/denver09/od">http://www.thetravelwriterslife.com/tww/denver09/od</a> <br /><br />*********************<br />June 17, 2009<br />The Right Way to Travel, Weekly Photo Tip<br />*********************<br /><br />HOW TO SELL PHOTOS OF OVERDONE SUBJECTS&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;<br />By Shelly Perry in Portland, OR<br /><br />Yesterday, Lori made the point that, in travel writing, people don't pay for facts and information: They pay for interpretations of facts and information. The same thing applies to photography. Lori used sunsets as an example -- and that&rsquo;s a good starting place, because sunsets are one of many photo subjects that are so overdone that they&rsquo;re virtually impossible to sell... unless you add your own special twist, like a silhouette in front of the sunset.<br /><br />Another overdone photo subject is pet photos. Every day, stock photo inspectors probably turn down hundreds of dog and cat snapshots. Plain pet shots just aren&rsquo;t that saleable... unless you add your own unique interpretation.<br /><br />Take, for example, this pet photo that I&rsquo;m selling on iStock:<br /><br /><img border="0" src="http://www.thephotographerslife.com/dogwithglasses.jpg" />&nbsp;<br /><br />Photos of pets with human characteristics (like reading glasses), or who are doing human activities, like &ldquo;reading&rdquo; a book, or &ldquo;typing&rdquo; on a computer, sell better than everyday snapshots. <br /><br />Another way to sell more pet shots is to photograph pets together with their owners, making more of a relationship theme. Think about how you can add your own twist to your dog and cat shots to make them more unique... and saleable.<br /><br />Another overdone subject is flowers. Stock agencies are already brimming with photos of flowers. Trust me, they don&rsquo;t need any more. But you can use flowers in a creative way to make a whole different shot, like this spa/hospitality-themed photo:</p><p><img border="0" src="http://www.thephotographerslife.com/hospitality2.jpg" />&nbsp;</p><p>This is a very saleable shot that you can easily take with the right light, exposure, composition, and focus. Think about other ways you can use flowers to create something new and unique.<br /><br />A third overdone subject is forests. Type the term &ldquo;forest&rdquo; in the search bar at iStockphoto.com, and you&rsquo;ll get over 115,000 images to choose from. Forests are like sunsets. They make up 30% of total land surface of the earth -- so they&rsquo;re not a rare photo subject. It's important, therefore, to figure out a way to make your image stand out as something special and unique.<br /><br />Take this image of a tent in the forest lit up at dusk, for instance:<br /><br /><img border="0" src="http://www.thephotographerslife.com/tentcamping.jpg" />&nbsp;<br /><br />Back at iStock, the photographer who added this tent to his forest image now has fewer than 400 images to compete with -- and has a much better chance of being found and used.<br /><br />Of course the absolute best image of nearly any subject could be a high seller, but you give yourself an advantage when you think outside the box and add your own twist -- your interpretation -- even with overdone subjects.<br /><br />[ABOUT THE AUTHOR: Shelly Perry from Portland, Oregon, specializes in people photography. Her photos are spotted all over the globe -- on music CD covers, books, magazines, catalogues, web sites, ad campaigns, billboards, and even on TV. Her work has also appeared in several local exhibits and gallery shows.<br /><br />Shelly will be on hand at the Ultimate Travel Writer&rsquo;s Workshop this July in Denver to give you the easy techniques you need to transform your vacation snaps into photos you can sell with your stories. When you&rsquo;ve got photos to bundle with your articles, it makes them easier to sell -- and potentially much more lucrative, too. Find out more, here:&nbsp; <a href="http://www.thetravelwriterslife.com/tww/denver09">http://www.thetravelwriterslife.com/tww/denver09</a> ]<br /><br /><br /><br /><br /><br />****************************<br /><br />The Right Way to Travel is a FREE newsletter from the American Writers &amp; Artists Inc., available to AWAI members and friends.<br /><br />(c) 2009 American Writers &amp; Artists Inc.<br />245 NE 4th Ave., Ste 102<br />Delray Beach, FL 33483<br />Phone (561) 278-5557<br />Fax (561) 278-5929<br />memberservices@awaionline.com<br /><br />To LEARN MORE, visit: <br />http://www.thetravelwriterslife.com<br />http://www.thephotographerslife.com <br /><br /></p>]]>
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<entry>
    <title>Summer Photo Do&apos;s and Dont&apos;s</title>
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    <id>tag:www.thephotographerslife.com,2009://1.321</id>
    
    <published>2009-06-10T23:24:35Z</published>
    <updated>2009-06-10T23:27:39Z</updated>
    
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        <![CDATA[<p>Dear Reader,</p><p>Hello from sunny Colorado. Jen Stevens here again this week as your guest editor while Lori is in Paris.<br /><br />Before you scroll down to today&rsquo;s Photo Tip, I wanted to share with you some exciting news I spotted in Popular Photo Magazine. It seems Denver, Colorado -- where we&rsquo;ll be holding our <a href="http://www.thetravelwriterslife.com/tww/denver09">Ultimate Travel Writer&rsquo;s Workshop</a> this July -- was just voted the number one most &ldquo;Photo Friendly&rdquo; city in the U.S.<br /><br />In the article, writer Neal Matthews points out that, &ldquo;Denver&rsquo;s smooth braiding of mountain trails, historic architecture, and nightlife engenders a visual confidence and boldness that&rsquo;s attracted photographers for 150 years.&rdquo;<br /><br />So it&rsquo;s fitting that professional photographer Shelly Perry will be there with us this July. She&rsquo;s hosting two one-day photography workshops -- one before and one after our main event. Join her for either of them, and you&rsquo;ll discover, hands-on, how to take advantage of your surroundings to create a saleable article/photo package. (And you can&rsquo;t get much better surroundings than summertime in the most &ldquo;Photo Friendly&rdquo; city in the U.S.)<br /><br />Scroll down for some tips from Shelly on taking photos this summer... do&rsquo;s and don&rsquo;ts you can use when you head out to research and snap photos for your next story...<br /><br />-- Jen<br /><br />Jennifer Stevens<br />Guest Editor<br /><br />P.S. Just yesterday I lined up a third, surprise guest to join me on our special Get Paid to Travel Teleconference coming up on June 29th. For less than $20, you can listen in as I speak with accomplished freelancer Steenie Harvey (&ldquo;The Freebie Queen&rdquo;), successful workshop graduate Roy Stevenson (he&rsquo;s landed 330 by-lines in 21 months), and my new Mystery Guest, too. We&rsquo;ll tell you the easiest, fastest way to get started as a travel writer... where to find the publications eager for your stories... how to set yourself up to write less and earn more... the real-world secrets behind landing great travel perks like free theater tickets, complimentary meals, even paid-for vacations... and more. You&rsquo;ll find the details here: <a href="http://www.thetravelwriterslife.com/tel3/letushelp">http://www.thetravelwriterslife.com/tel3/letushelp</a><br /><br />*********************<br />June 10, 2009<br />The Right Way to Travel, Weekly Photo Tip<br />*********************<br /><br />SUMMER PHOTO DO&rsquo;S AND DON&rsquo;TS&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;<br />By Shelly Perry in Portland, OR<br /><br />Summer is a great time for outdoor photography. There&rsquo;s lots going on around town, you&rsquo;re not weighed down by bulky winter gear, you don&rsquo;t have to worry about protecting your camera in the rain, and you&rsquo;ve got a lot more daylight to work with.<br /><br />But as the weather heats up and you take your camera outdoors, summer presents its own challenges -- like bright, intense light that can be tricky to expose properly.<br /><br />Whether you&rsquo;re taking photos to sell on their own, or to compliment your articles, here are a few summertime do&rsquo;s and don&rsquo;ts to help guarantee excellent shots:<br /><br />** DON&rsquo;T take photos at midday if you can help it. Or, if you have no choice, try to find some open shade or diffused daylight. Avoid &ldquo;dabbled&rdquo; light -- or partially shaded with bright spots -- this will only cause problems.<br /><br />** DO use a fill-flash if you can&rsquo;t find even shade. One way to do this right is to backlight your subject with the sun (the sun will be at your subject&rsquo;s back, and their front will be in the shadow) and set your exposure for the background scene. Then, set your flash to fire so it fills in and evens out your subject. This will take some practice, but the results can be very dramatic. Fill-flashes are especially helpful for sunset portraits.<br /><br />** DO bring a reflector when you photograph people. You can use it to fill in deep, hard shadows that show up on your subject&rsquo;s face and even out the lighting overall. (If you&rsquo;re using a gold or silver reflector, it can be extra bright, so be careful not to blind the person or people you&rsquo;re photographing.)<br /><br />** DO adjust your ISO. Your ISO is your digital camera&rsquo;s sensitivity to light. You can change it to be more sensitive in lower-light situations or less sensitive in bright light. With the bright summer sun, you generally will have plenty of light, and you won&rsquo;t need to use higher ISO's (those above 200). Be sure to always shoot with the lowest ISO possible (while still stopping action or eliminating camera shake). Not all point-and-shoots will let you change the ISO, but some will. If you&rsquo;re not sure how to change it, check your camera manual.<br /><br />** DO fill your photo with action, and freeze it with a fast shutter speed. When there&rsquo;s plenty of available light, you don&rsquo;t have to worry about using a slow shutter speed, so summertime is prime time for sports and action shots. Make sure you&rsquo;re using a shutter speed that&rsquo;s fast enough to catch the action... and not just a blur.<br /><br />** DON&rsquo;T forget to get in close. Fill the frame with your subject, while maintaining good composition.<br /><br />** DO look at everything in your photo frame before you snap the shutter. Landscapes should be clear of clutter, and people should not have poles, tree branches, or other objects protruding from their heads.<br /><br />Like I said before, summertime is great for fun outdoor shots. Don&rsquo;t be afraid to experiment and try new things. For more tips on taking photos this summer, check out the Summer Photo Guide. I edited it, so I know it&rsquo;s packed full of tips like these, and also includes tips on taking stunning firework shots, outdoor portraits, wedding and event photos, family vacation shots, and more. You can find it here: <a href="http://www.thephotographerslife.com/sum/website">http://www.thephotographerslife.com/sum/website</a><br /><br />[ABOUT THE AUTHOR: Shelly Perry from Portland, Oregon, specializes in people photography, what she calls documentary or lifestyle portraits. She is known especially for her imaging of children. Shelly&rsquo;s concern for people is reflected both in her sense of purpose and the images she produces. Her photos have been seen all over the globe on music CD covers, books, magazines, catalogues, web sites, ad campaigns and even on TV. Her work has also appeared in several local exhibits and gallery shows.<br /><br />Shelly will be on hand at the Ultimate Travel Writer&rsquo;s Workshop this July in Denver to hand over the easy techniques you need to transform your vacation snaps into photos you can sell with your stories. When you&rsquo;ve got photos to bundle with your articles, it makes them easier to sell -- and potentially much more lucrative, too. Find out more, here: <a href="http://www.thetravelwriterslife.com/tww/denver09">http://www.thetravelwriterslife.com/tww/denver09</a>] <br /><br />****************************<br /><br />The Right Way to Travel is a FREE newsletter from the American Writers &amp; Artists Inc., available to AWAI members and friends.<br /><br />(c) 2009 American Writers &amp; Artists Inc.<br />245 NE 4th Ave., Ste 102<br />Delray Beach, FL 33483<br />Phone (561) 278-5557<br />Fax (561) 278-5929<br />memberservices@awaionline.com<br /><br />To LEARN MORE, visit: <br /><a href="http://www.thetravelwriterslife.com">http://www.thetravelwriterslife.com</a><br /><a href="http://www.thephotographerslife.com">http://www.thephotographerslife.com</a><br /><br /></p>]]>
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<entry>
    <title>May Winners: Silhouettes and Shadows</title>
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    <published>2009-06-03T22:17:54Z</published>
    <updated>2009-06-03T22:32:58Z</updated>
    
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        <![CDATA[<p>Dear Reader,<br /><br />Jen Stevens here. I&rsquo;m the author of AWAI&rsquo;s <a href="http://www.thetravelwriterslife.com/sh/cat">Ultimate Travel Writer&rsquo;s Program</a>. While Lori and her &ldquo;bun in the oven&rdquo; are busy guiding a group of your fellow readers around Paris, I&rsquo;ll be sitting in as your guest editor.<br /><br />Below you&rsquo;ll find this week&rsquo;s photo dispatch and the announcement of last month&rsquo;s Photo Challenge winners.<br /><br />Don&rsquo;t forget: This month&rsquo;s Challenge theme is &ldquo;Body Language.&rdquo; If you missed the details about what, exactly, that means, you&rsquo;ll find them here: <a href="http://www.thephotographerslife.com/contest/index.php ">http://www.thephotographerslife.com/contest/index.php </a><br /><br />-- Jen <br /><br />Jennifer Stevens<br />Guest Editor<br /><br />********************* <br />June 3, 2009 <br />The Right Way to Travel, Weekly Photo Tip <br />********************* <br /><br />SILHOUETTES AND SHADOWS -- WINNING ENTRIES&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;<br />By Shelly Perry in Portland, OR &nbsp;<br /><br />Last month&rsquo;s Photo Challenge theme was &ldquo;Silhouettes and Shadows.&rdquo; I was really impressed with how many submissions were potential winners this time around -- more than any other month in our Challenge to date. It was incredibly difficult to narrow it down to the winning shots, so I included a few &ldquo;honorable mentions,&rdquo; which will be included in the Hall of Fame with the rest. <br /><br />** First Place goes to David Adler for &ldquo;Roofers&rdquo; <br />** Second Place goes to heather.fuqua for &ldquo;Having fun&rdquo; <br />** Third Place goes to jenerate for &ldquo;Waiting for the Stars&rdquo; &nbsp;<br />** Honorable Mention goes to hester56 for &ldquo;catching a ride&rdquo; <br />** Honorable Mention goes to Robla for &ldquo;Final Strokes&rdquo; <br /><br />FIRST PLACE &ndash; ROOFERS<br /><br /><img border="0" src="http://www.thephotographerslife.com/contest/data/media/36/Roofers.jpg" />&nbsp;<br /><br />Here is what last month&rsquo;s winner, Barbara Eggermann, had to say about her first-place pick for this month:<br /><br />&ldquo;A simple, clean, crisp, and well-composed photo. The leading lines from the left side of the photo steer the eye right to the workmen&rsquo;s silhouettes. I liked that the two men were captured at an opportune moment to express the physical nature of their work.&rdquo; </p><p>I agree with Barbara that this is a clean, crisp image, with very strong silhouettes. It would not require model releases to be sold as stock. The composition is nice; leaving the stove pipes in the scene, along with the action of the men, provides a sense of place and action. Usually, I would prefer the men moving into the scene, but you can't always arrange for a perfect shot in real life. In this case, the direction of the action came second to keeping the stove pipes in and I think that was the right call. I also like the clouds in the background, which give this image a little more depth and variety of tone. <br /><br />SECOND PLACE -- HAVING FUN <br /></p><p><img border="0" src="http://www.thephotographerslife.com/contest/data/media/36/_MG_8169.jpg" />&nbsp;<br /><br />Having fun is an overall wonderful shot. The silhouette was achieved with a beautiful exposure for the sunset in the background. The exuberant motion and action of the couple gives a sense of strong emotion. This image could be a good seller as a stock photo. My only suggestion for improvement (and I am being picky) would be to move the couple even more off-center. &nbsp;<br /><br />THIRD PLACE -- WAITING FOR THE STARS <br /></p><p><img border="0" src="http://www.thephotographerslife.com/contest/data/media/36/Waiting_for_the_Stars.jpg" />&nbsp;<br /><br />The silhouette on Waiting for the Stars is so crisp and clean, it nearly looks like a drawing. The composition on this shot is very strong. The backpacker is moving into the frame and facing the open space. This is great for text placement, as this will lead the reader to look into the space. The tall, dominant trees at the person&rsquo;s back are a dynamic placement. This shot also could do well as stock. <br /><br />HONORABLE MENTION -- CATCHING A RIDE <br /></p><p><img border="0" src="http://www.thephotographerslife.com/contest/data/media/36/catching_a_ride.jpg" />&nbsp;<br /><br />I chose Catching a Ride as an honorable mention because this shot has a lot of story. The photographer did a terrific job using the doorway of the barn for framing, and then layering the silhouette of the cowboy walking out to the horse, who we see in the distance. The horse and the dog are both paying attention, but in a natural way. This composition, with its many layers of interest, is exceptional. And this shot, too, could work for stock. <br /><br />HONORABLE MENTION -- FINAL STROKES</p><p><img border="0" src="http://www.thephotographerslife.com/contest/data/media/36/IMG_4924.jpg" /><br /><br />The setting on the water, the colors, the person, the action, the composition, everything comes together in this shot in such a fantastic way. I love the dramatic lighting here, how even the ripples on the water are backlit and defined. This is the type of image that could convey a lot of meanings beyond the sport, itself, and would probably do quite well as a stock shot also.<br /><br />Congratulations to our winners and to everyone who entered this challenge, many of your shots were worthy of a win!! <br /><br />Winners will all be entered in the grand prize contest for a $2,000 prize in October. &nbsp;<br /><br />ENTER TO WIN! <br /><br />Remember, this month's theme is &quot;Body Language.&quot; Submit your photos by 8:00 a.m. EDT, Monday, June 22. If you're a first-time user, you'll need to register first on the &quot;register&quot; link on the right side bar. Once you have a username and password, click &quot;Enter to Win&quot; to upload your photo. Only one photo per applicant, per month -- multiple submissions will be deleted.<br /><br />[ABOUT THE AUTHOR: Shelly Perry from Portland, Oregon, specializes in people photography, what she calls documentary or lifestyle portraits. She is known especially for her imaging of children. Shelly&rsquo;s concern for people is reflected both in her sense of purpose and the images she produces. Her photos have been seen all over the globe on music CD covers, books, magazines, catalogues, web sites, ad campaigns and even on TV. Her work has also appeared in several local exhibits and gallery shows. <br /><br />Shelly will be on hand at the Ultimate Travel Writer&rsquo;s Workshop this July in Denver to hand over the easy techniques you need to transform your vacation snaps into photos you can sell with your stories. When you&rsquo;ve got photos to bundle with your articles, it makes them easier to sell -- and potentially much more lucrative, too. Find out more, here: <a href="http://www.thetravelwriterslife.com/tww/denver09">http://www.thetravelwriterslife.com/tww/denver09</a> ]<br /><br />**************************** <br />The Right Way to Travel is a FREE newsletter from the American Writers &amp; Artists Inc., available to AWAI members and friends. <br /><br />(c) 2009 American Writers &amp; Artists Inc. <br />245 NE 4th Ave., Ste 102 <br />Delray Beach, FL 33483 <br />Phone (561) 278-5557 <br />Fax (561) 278-5929 <br />memberservices@awaionline.com <br /><br />To LEARN MORE, visit: &nbsp;<br />http://www.thetravelwriterslife.com &nbsp;<br />http://www.thephotographerslife.com &nbsp;<br /><br /><br /></p>]]>
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<entry>
    <title>Paris Report #4: Better Food Photographs</title>
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    <published>2009-05-31T22:51:54Z</published>
    <updated>2009-05-29T20:47:51Z</updated>
    
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        <![CDATA[<p>What Pregnancy Can Teach You About Good Photography, Tip #4<br /><br />Dear Reader,<br /><br />Over the last three days I&rsquo;ve sent you a series of &ldquo;what pregnancy can teach you about good photography&rdquo; tips. If you missed any of them, you&rsquo;ll find them here:<br /><br />&bull;&nbsp; You don&rsquo;t need to carry around a lot of equipment: <br /><a href="http://www.thephotographerslife.com/paris09_1">http://www.thephotographerslife.com/paris09_1 </a><br /><br />&bull;&nbsp; You can cheat and get away with not using a tripod and still get great night shots:<br /><a href="http://www.thephotographerslife.com/paris09_2">http://www.thephotographerslife.com/paris09_2 </a><br /><br />&bull;&nbsp; You don&rsquo;t need to be physically fit to get great photos: <br /><a href="http://www.thephotographerslife.com/paris09_3">http://www.thephotographerslife.com/paris09_3 </a><br /><br />... and, since this pregnancy sure has given me a big appetite, today I thought we&rsquo;d talk about capturing great food photographs.<br /><br />-----------------------------<br />What pregnancy can teach you about good photography, tip #4&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;<br />HOW TO GET THE BEST FOOD PHOTOGRAPHS<br />-----------------------------<br /><br />My &ldquo;what pregnancy can teach you about good photography&rdquo; tip for you today is: When you&rsquo;re photographing food, angles are your friends. Stay away from shooting everything straight on.<br /><br />Here are some examples:<br /><br /><img border="0" src="http://www.thephotographerslife.com/l_allen_food1.jpg" /><br /><br /><img border="0" src="http://www.thephotographerslife.com/l_allen_food2.jpg" /><br /><br /><img border="0" src="http://www.thephotographerslife.com/l_allen_food3.jpg" /><br /><br /><img border="0" src="http://www.thephotographerslife.com/l_allen_food4.jpg" /><br /><br />Notice how the dishes typically start in the bottom left corner and stretch to the center of the photo.<br /><br />If you&rsquo;re taking food photos at home and you&rsquo;re more interested in getting a good photo than you are of eating the food you&rsquo;re photographing, here are a few more tips from our new Food Photography Tip Card...<br /><br />It might not smell or taste good (and I don&rsquo;t recommend putting it in your mouth), but if you want to get the perfect pancake shot, don&rsquo;t use syrup. Instead, dribble your hotcakes in motor oil. Motor oil won&rsquo;t soak into a pancake like syrup does, giving you more time to get your lighting and composition just right.<br /><br />Another eye-fooling, food photo trick? Make &ldquo;ice cream&rdquo; out of mashed potatoes... or vegetable shortening with powdered sugar added in. You can make it any color you want... and it won&rsquo;t melt while you&rsquo;re working the angle of your shot.<br /><br />And glycerin spray, a hair- and skin-care product, can be brushed on meat or fish for a glistening effect... or sprayed onto fruit, veggies, or other items to mimic sparkling water droplets. It works on anything you want to freshen up, or give that &ldquo;just washed&rdquo; look, like lettuce, apples, cucumbers, tomatoes, grapes, etc. Again, I wouldn&rsquo;t recommend eating it, but it can help you take some better-than-real, saleable food photos.<br /><br />Note: We&rsquo;ve been paying a lot of attention to food, lately, and it&rsquo;s not just because I&rsquo;m pregnant. For travel writers and photographers, food is unavoidable, these days. The &ldquo;foodie&rdquo; culture is running rampant... and including a food element into your stories and photos makes them more saleable.<br /><br />You can get more pro photographer tips for just about any photographic situation with a set of our newly expanded, popular Photo Tip Cards. See a sample card, here: <a href="http://www.thephotographerslife.com/tip/website">http://www.thephotographerslife.com/tip/website</a><br /><br /></p><p>-- Lori<br /><br />Lori Allen<br />Director, AWAI Travel Division<br />&nbsp;<br />P.S. If you want to know more about food writing and photos, this July in Denver, Colorado, we&rsquo;ll be holding a day-long food-writing add-on to the Ultimate Travel Writer&rsquo;s Workshop. Former food critic and current travel editor of the Denver Post, Kyle Wagner, will lead the group through a delicious, sensual day of tasting, describing, writing, and learning. You&rsquo;ll meet one of Denver&rsquo;s best chefs and taste her creations while Kyle shows you how to add life -- and saleability -- into your articles, food or otherwise.<br /><br />Find out more, here: <a href="http://www.thetravelwriterslife.com/tww/denver09">http://www.thetravelwriterslife.com/tww/denver09 </a><br /><br /><br /><br /><br /><br /><br /><br />*******************************<br /><br />The Right Way to Travel is a FREE newsletter from the American Writers &amp; Artists Inc., available to AWAI members and friends.<br /><br />(c) 2009 American Writers &amp; Artists Inc.<br />245 NE 4th Ave., Ste 102<br />Delray Beach, FL 33483<br />Phone (561) 278-5557<br />Fax (561) 278-5929<br />memberservices@awaionline.com<br /><br />To LEARN MORE, visit: <br />http://www.thetravelwriterslife.com<br />http://www.thephotographerslife.com <br /></p>]]>
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<entry>
    <title>Paris Report #3: Better Photographs without Walking</title>
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    <published>2009-05-30T21:28:46Z</published>
    <updated>2009-05-29T20:47:37Z</updated>
    
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        <![CDATA[What Pregnancy Can Teach You About Good Photography, Tip #3<br /><br />Dear Reader,<br /><br />We do a lot of walking during these live photography workshops here in Paris. First we&rsquo;re up at the top of Montmarte. Then we&rsquo;re down by the Eiffel Tower. Next we&rsquo;re climbing to the top of Notre Dame. And then we&rsquo;re walking all around the Latin Quarter on a walking tour with famous historian Thirza Vallois.<br /><br />It&rsquo;s a lot. And it was particularly hard for me this year being six months pregnant and carrying all this extra weight. So I took breaks often &ndash; on nearby benches and inside caf&eacute;s.<br /><br />Which brings me to my third &ldquo;what pregnancy can teach you about good photography&rdquo; tip...<br /><br />-----------------------------<br />What pregnancy can teach you about good photography, tip #3<br />YOU DON&rsquo;T HAVE TO BE IN THE BEST SHAPE TO CREATE AMAZING PHOTOGRAPHS<br />-----------------------------<br /><br />There were several times on this trip when, while the others were walking about or climbing steps I couldn&rsquo;t climb, I sat in caf&eacute;s or on public benches and took pictures of the world passing by.<br /><br />On the first day of this series I told you that I decided to shoot this entire workshop with a point-and-shoot camera, because I couldn&rsquo;t bear the extra weight. But what I didn&rsquo;t tell you was that professional photographer Rich Wagner was also inspired to shoot the whole trip with a smaller camera.<br /><br />Rich traditionally carries a Nikon d700, which today is priced at just under $3,000 without a lens (just over $4,500 if you include his lens). But when I told him I was going to shoot the workshop with a point-and-shoot, he went out and bought an entry level digital SLR, the Panasonic G1, to test out on this trip.<br /><br />The Panasonic sells for $800 and it&rsquo;s a great camera for those looking for an entry-level SLR camera at a decent price.<br /><br />One of the things we both liked most about this particular model is what&rsquo;s called its &ldquo;articulated screen.&rdquo;<br /><br />The LCD screen on this Panasonic camera actually folds out and twists so you can hold the camera at your waist, look at the screen, and shoot without anyone knowing that you&rsquo;re capturing them.<br /><br />Here are two candid pictures I took with Rich&rsquo;s camera when I thought it was inappropriate to hold the camera up to my eye and shove my lens in someone&rsquo;s face (or look like a typical tourist)...<br /><br /><img border="0" src="http://www.thephotographerslife.com/l_allen_parisbench.jpg" /><br /><br /><img border="0" src="http://www.thephotographerslife.com/l_allen_paris2.jpg" /><br /><br />In both of these cases, the camera was level with my hip and no one knew I was taking the picture. (By the way, that second photo is from the restaurant, Le Train Bleu, which is on top of the Gare de Lyon train station in Paris. The d&eacute;cor is amazing, but the food was just OK. It&rsquo;s a nice place to take someone that will be impressed by the interior and a GREAT place to take a photographer. The food is nowhere near as good as the prices on the menu imply. You&rsquo;re paying for the atmosphere.)<br /><br />This screen also came in handy when we went to the Viaduc des Arts: an old train track that&rsquo;s since been converted into a garden on top with craftsmen shops underneath. <br /><br />Rich took this picture at his hip when he didn&rsquo;t want to disturb the workers restoring antique photographs by lifting the camera to his eye (possibly causing one of them to turn their head and smile for the camera, instead of maintaining their focus on their work, which was the image he was trying to capture)...<br /><br /><img border="0" src="http://www.thephotographerslife.com/r_wagner_photorestorers.jpg" /><br /><br />So, my tip for you today is: If you&rsquo;re not in the mood to do a bunch of walking (or you&rsquo;re physically not capable of walking or moving around or climbing steps), take a seat. If you have a camera with an articulated screen like the Panasonic G1 then you can shoot away and no one will likely know the difference.<br /><br />If you don&rsquo;t have an articulated screen, think about this month&rsquo;s Photo Challenge theme -- Body Language. This month&rsquo;s theme is all about taking pictures of people without including an identifiable person.<br /><br />Here&rsquo;s an example from here in Paris...<br /><br /><img border="0" src="http://www.thephotographerslife.com/r_wagner_restorehand.jpg" /><br /><br />We have a person&rsquo;s hand (a human element), but no identifiable person.<br /><br />For more details on this month&rsquo;s Photo Challenge theme, visit: <a href="http://www.thephotographerslife.com/contest/categories.php?cat_id=38">http://www.thephotographerslife.com/contest/categories.php?cat_id=38</a> <br /><br />Have a good weekend!<br /><br />-- Lori<br /><br />P.S. As a writer or a photographer, it&rsquo;s a good idea to visit the hidden gems of a big, touristy city like Paris. Both Le Train Bleu Restaurant and the Viaduc des Arts could make a very marketable article/photo package to sell to an in-flight magazine, an online magazine, a glossy travel magazine, or even a newspaper travel section. Like freelance writer Jennifer Stevens says, you can still sell a story on a well-known destination, as long as you take a unique angle, or &ldquo;discover&rdquo; something new.<br /><br />We&rsquo;ll talk all about how to create article/photo packages that sell, this July at the Ultimate Travel Writer&rsquo;s Workshop in Denver, Colorado. There are just a couple of weeks left to get in under the Early Bird Discount, here: <a href="http://www.thetravelwriterslife.com/tww/denver09">http://www.thetravelwriterslife.com/tww/denver09 </a><br /><br /><br /><br /><br /><br /><br />*******************************<br /><br />The Right Way to Travel is a FREE newsletter from the American Writers &amp; Artists Inc., available to AWAI members and friends.<br /><br />This newsletter is coming to you because you are either a member of The Ultimate Travel Writer's Program or Turn Your Pictures into Cash, or you have opted to receive information about getting paid to travel from the AWAI Travel Division. <br /><br />(c) 2009 American Writers &amp; Artists Inc.<br />245 NE 4th Ave., Ste 102<br />Delray Beach, FL 33483<br />Phone (561) 278-5557<br />Fax (561) 278-5929<br />memberservices@awaionline.com<br /><br />To LEARN MORE, visit: <br />http://www.thetravelwriterslife.com<br />http://www.thephotographerslife.com <br />]]>
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<entry>
    <title>Paris Report #2: Better Night Photographs</title>
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    <published>2009-05-29T20:41:56Z</published>
    <updated>2009-05-29T20:47:28Z</updated>
    
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        <![CDATA[What Pregnancy Can Teach You About Good Photography, Tip #2<br /><br />Dear Reader,<br /><br />Yesterday I told you that I&rsquo;m here in Paris helping professional photographer Rich Wagner lead a group of photo expedition attendees through the streets of one of my favorite cities on earth. And that I&rsquo;ve decided to shoot this entire trip with a point-and-shoot camera, because I&rsquo;m pregnant and don&rsquo;t want the extra weight of my SLR equipment.<br /><br />Today, as part of my &ldquo;what pregnancy can teach you about good photography&rdquo; series, I thought I&rsquo;d share with you my secret for better night photographs.<br /><br />-----------------------------<br />What pregnancy can teach you about good photography, tip #2<br />HOW TO CREATE BETTER NIGHT PHOTOGRAPHS<br />-----------------------------<br /><br />When we all gathered at the Louvre for our evening sunset and twilight shoot, I didn&rsquo;t want to lug around a heavy tripod any more than I wanted to carry a heavy camera around my neck. So I went without one.<br /><br />My tip for you today is: If you&rsquo;re in a low-light or night situation, without a tripod, try bracing your camera against something solid to eliminate camera shake. And use the self-timer setting on your camera to prevent shake when you press the shutter button.<br /><br />Here&rsquo;s a picture I took while holding the camera in my hand...<br /><br /><img border="0" src="http://www.thephotographerslife.com/l_allen_louvreblur.jpg" /><br /><br />Notice how blurry the Louvre is behind the pyramid.<br /><br />And here&rsquo;s one I took by resting my camera on the edge of the reflecting pool...<br /><br /><img border="0" src="http://www.thephotographerslife.com/l_allen_louvrecrisp.jpg" /><br /><br />See how much cleaner the lines are on the Louvre (again, I rested my camera on something sturdy and put the camera on a timer so that pressing the shutter wouldn&rsquo;t blur my image).<br /><br />And here&rsquo;s one from attendee Colleen McBain who used a full tripod...<br /><br /><img border="0" src="http://www.thephotographerslife.com/c_mcbain_louvre.jpg" />&nbsp;<br /><br />Both of us were shooting with point-and-shoot cameras, but you can see that, with a full-length tripod, Colleen had more freedom to move about. I was limited to the areas where I could find something sturdy to brace my camera.<br /><br />Here&rsquo;s one of Rich&rsquo;s taken with a higher-quality SLR camera and a full tripod...<br /><br /><img border="0" src="http://www.thephotographerslife.com/r_wagner_louvre.jpg" />&nbsp;<br /><br />Notice the clean lines on the Louvre and the reflecting pool. The couple on the right is a little blurry, but that&rsquo;s because THEY were moving, not the camera. <br /><br />Again, the key if you&rsquo;re shooting in low-light, twilight or night without a tripod is keeping your camera steady. Brace it against something solid and sturdy and use the self-timer to eliminate camera shake when you depress the shutter.<br /><br />-- Lori<br /><br />Lori Allen<br />Director, AWAI Travel Division<br /><br />P.S. Now, I can&rsquo;t sell my photos of the Louvre&rsquo;s pyramid as stock -- it&rsquo;s a copyrighted structure. So I&rsquo;d have to sell them as editorial or fine art. However, I&rsquo;m using this camera stabilizing technique all over Paris in hopes of getting some clean, crisp shots I can sell online, too. Learn more about taking saleable, stock-quality shots this October in Santa Fe at the Ultimate Stock Photo Workshop, here: <a href="http://www.thephotographerslife.com/phw/santafe09">http://www.thephotographerslife.com/phw/santafe09 </a><br /><br />*******************************<br /><br />The Right Way to Travel is a FREE newsletter from the American Writers &amp; Artists Inc., available to AWAI members and friends.<br /><br />(c) 2009 American Writers &amp; Artists Inc.<br />245 NE 4th Ave., Ste 102<br />Delray Beach, FL 33483<br />Phone (561) 278-5557<br />Fax (561) 278-5929<br />memberservices@awaionline.com<br /><br />To LEARN MORE, visit: <br />http://www.thetravelwriterslife.com<br />http://www.thephotographerslife.com <br />]]>
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<entry>
    <title>What pregnancy can teach you about good photography</title>
    <link rel="alternate" type="text/html" href="http://www.thephotographerslife.com/photography_tips_and_tricks/paris09_1/" />
    <link rel="service.edit" type="application/atom+xml" href="http://www.thephotographerslife.com/manager/mt-atom.cgi/weblog/blog_id=1/entry_id=314" title="What pregnancy can teach you about good photography" />
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    <published>2009-05-28T20:38:30Z</published>
    <updated>2009-05-28T20:41:47Z</updated>
    
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        <name>The Photographers Life</name>
        
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            <category term="E-Letter Archives" />
            <category term="Photography Tips and Tricks" />
    
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        <![CDATA[Dear Reader,<br /><br />The word is out. <br /><br />I&rsquo;m six months pregnant and there&rsquo;s no hiding it. I&rsquo;m here in Paris for our live photography expedition and people are giving up their seats for me on the metro, waiters are steering me away from certain cheeses and meats &ldquo;pas pour le bebe,&rdquo; and, by law, no caf&eacute; or restaurant is allowed to turn me away from its bathroom.<br /><br />While I was sitting at the foot of Notre Dame today, waiting for the attendees to return from climbing the 387 steps to the top (no pregnant women allowed), my big belly reminded me that even though you DO need to be in fairly good shape to climb to the top of Notre Dame, you DON&rsquo;T really have to be in the best shape to take good photographs. <br /><br />And, since I didn&rsquo;t want to lug my big camera around my neck all day (no need to add three or four more pounds to the 21 extra I&rsquo;m already carrying), I remembered that you don&rsquo;t need fancy equipment either. In fact, like myself this week, more than half the attendees here are working with point-and-shoot cameras.<br /><br />So, over the next few days, I&rsquo;d like to share with you a couple tips I&rsquo;ve been practicing for getting the best shots without carrying around a lot of equipment and without putting myself in compromising positions (at least until the baby is born).<br /><br />Starting with today&rsquo;s tip...<br /><br />-----------------------------<br />What pregnancy can teach you about good photography, tip #1&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;<br />YOU DON&rsquo;T NEED A LOT OF FANCY EQUIPMENT<br />-----------------------------<br /><br />When I first met professional photographer Rich Wagner, I was attending a photo workshop in Miami Beach, FL with a tiny point-and-shoot camera. I was researching an article for our travel writing readers on how to take better pictures -- with a simple point-and-shoot camera -- that they could bundle with their articles to sell to magazines. Rich pulled me aside to give me three tips we still preach in this e-letter today:<br /><br />&bull;&nbsp; The Rule of Thirds<br />(see: <a href="http://www.thephotographerslife.com/rule_of_thirds">http://www.thephotographerslife.com/rule_of_thirds</a> )<br /><br />&bull;&nbsp; Diagonal Lines<br />(see: <a href="http://www.thephotographerslife.com/diagonalexamples">http://www.thephotographerslife.com/diagonalexamples</a> )<br /><br />&bull;&nbsp; Framing<br />(see: <a href="http://www.thephotographerslife.com/framing">http://www.thephotographerslife.com/framing</a> )<br /><br />Five years and 30+ of our own live photography workshops later, I&rsquo;ve upgraded my equipment three times, changed equipment brands twice, and my photography skills have improved dramatically.<br /><br />I now carry a Nikon D200 camera with two lenses, two filters, and a bunch of memory cards and extra batteries. My camera bag weighs at least five to seven pounds -- that&rsquo;s a lot of extra weight to carry (even without a small child in your belly).<br /><br />Below is a list of what I miss most about my fancy equipment... and what I like best about this little point-and shoot I&rsquo;ve been using here in Paris this week. It should help you understand the difference between a point-and-shoot and an SLR, so you can make a better buying decision when time comes to upgrade...<br /><br />First, the basic difference between a point-and-shoot and an SLR is the lens. SLR cameras have removable and changeable lenses. Point-and-shoot cameras do not. SLR cameras also have larger image sensors, so they take higher-quality pictures. Point-and-shoot cameras are easier to carry around but, in terms of picture saleability, they have a hard time producing high enough quality images for sale in both low-light and twilight scenes.<br /><br />So here&rsquo;s what I miss most about my SLR...<br /><br />#1 &ndash; Most of all, the lens. With my SLR camera I can zoom farther and blur more objects in the background than I can with a point-and-shoot.<br /><br />#2 &ndash; Image quality. Because the image quality in my point-and-shoot isn&rsquo;t as good as the quality in my SLR (Note: Even though they have the same number of megapixels, they have different image sensor sizes), I have to be really careful to get the photo right when I take it. If I&rsquo;m already starting with a smaller image, I can&rsquo;t afford to make it smaller by cropping it in my computer when I get home. <br /><br />#3 &ndash; Superior night shots. My pictures may look the same on my computer and on the web, but when it comes to selling the photo, my SLR night shots are far more saleable. I won&rsquo;t get into the technical specifics here but, basically, it comes down to &ldquo;digital noise&rdquo; that&rsquo;s more prominent in low-light shots taken with a point-and-shoot. So, no matter how great my point-and-shoot photos look on my computer, I&rsquo;m pretty sure they&rsquo;re not saleable as stock, or suitable to be blown up for the cover of a magazine either.<br /><br />All that said, here&rsquo;s what I prefer about the point-and-shoot...<br /><br />#1 &ndash; The weight. Sure is nice not to have to lug that big camera around my neck.<br /><br />#2 &ndash; The size. Because this camera is much smaller, I&rsquo;m able to take more candid shots without my subject feeling like I just stuck a big lens in their face.<br /><br />#3 &ndash; The ease of use. No bells and whistles. I think about the Rule of Thirds, diagonal lines, and framing... and that&rsquo;s it. I can literally just point and shoot, and, as long as my camera is set up properly, I should get a great picture with good exposure. Note: And because I have a fairly high-quality point-and-shoot (the Canon G10), it&rsquo;s possible I get a few saleable low-light and night photographs from it, too. I&rsquo;ll have to look at them more closely or send them off to one of my online stock photo agencies to be sure. <br /><br />I&rsquo;ll talk more about this in the next few days and give you a couple other camera suggestions and shooting tips, too.<br /><br />Stay tuned for the rest of the series on what pregnancy can teach you about good photography tomorrow.<br /><br />Take care,<br /><br />-- Lori<br /><br />Lori Allen<br />Director, AWAI Travel Division<br /><br />P.S. Whether you have a point-and-shoot or an SLR, we can show you how to make stock-quality, saleable photos this October at the Ultimate Stock Photo Workshop in Santa Fe, New Mexico. Sign up now and you&rsquo;ll save $500, here: <a href="http://www.thephotographerslife.com/phw/santafe09">http://www.thephotographerslife.com/phw/santafe09</a> <br /><br /><br /><br /><br />*******************************<br /><br />The Right Way to Travel is a FREE newsletter from the American Writers &amp; Artists Inc., available to AWAI members and friends.<br /><br />(c) 2009 American Writers &amp; Artists Inc.<br />245 NE 4th Ave., Ste 102<br />Delray Beach, FL 33483<br />Phone (561) 278-5557<br />Fax (561) 278-5929<br />memberservices@awaionline.com<br /><br />To LEARN MORE, visit: <br />http://www.thetravelwriterslife.com<br />http://www.thephotographerslife.com <br /><br />]]>
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<entry>
    <title>June Photo Challenge Theme: Body Language</title>
    <link rel="alternate" type="text/html" href="http://www.thephotographerslife.com/eletter_archives/june09_theme/" />
    <link rel="service.edit" type="application/atom+xml" href="http://www.thephotographerslife.com/manager/mt-atom.cgi/weblog/blog_id=1/entry_id=313" title="June Photo Challenge Theme: Body Language" />
    <id>tag:www.thephotographerslife.com,2009://1.313</id>
    
    <published>2009-05-27T14:37:46Z</published>
    <updated>2009-06-24T19:04:03Z</updated>
    
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        <name>The Photographers Life</name>
        
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            <category term="E-Letter Archives" />
    
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        <![CDATA[Dear Reader,<br /><br />May&rsquo;s Photo Challenge theme, &ldquo;Silhouettes and Shadows,&rdquo; introduced a fun way to take saleable people photos without needing a model release. I&rsquo;ll send you May&rsquo;s winners next Wednesday.<br /><br />Today, scroll down for June&rsquo;s Photo Challenge theme, with another way to take saleable stock photos that include a human element -- without needing a model release...<br /><br />Lori Allen<br />Director, AWAI Travel Division<br /><br />P.S. If you can master the elements of a saleable stock photo, you could make a living -- or a nice side-income -- selling your photos as stock. Once they start selling, you just sit back and collect the checks. Learn what makes a saleable stock image, and how to live life on your own terms, making money as a stock photographer, at the Ultimate Stock Photo Workshop coming up this October in Santa Fe, New Mexico. Find out more, here: <a href="http://www.thephotographerslife.com/phw/santafe09">http://www.thephotographerslife.com/phw/santafe09 </a><br /><br />*******************<br />May 27, 2009<br />The Right Way to Travel, Weekly Photo Tip<br />*******************<br /><br />BODY LANGUAGE<br />By Shelly Perry in Portland, OR<br /><br />People photos sell. You know that. It&rsquo;s been our mantra around here for the last few years. And it&rsquo;s true. My best-selling stock photos all include people. But not all of them reveal the person&rsquo;s whole body, or even their face.<br /><br />A lot of themes, concepts, and emotions can be expressed with only one or two body parts, like gesturing hands. And if you don&rsquo;t include faces in your photos -- or anything else that could blow your subject&rsquo;s cover, like tattoos, for instance -- then you don&rsquo;t need a model release to sell them as stock.<br /><br />So, with that in mind, June&rsquo;s Photo Challenge Theme is: &ldquo;Body Language.&rdquo; <br /><br />What I&rsquo;d like to see from you is one strong, stock-quality photo, including a person or people, that:<br /><br />A. focuses only on certain body parts, like hands, legs, etc. and...<br />B. Successfully communicates a theme or concept.<br /><br />Before you get out your camera, think about images you can make with body parts (hands, arms, legs, neck, shoulders, feet...) that you might see in an ad... on a website... or someplace else to illustrate a concept. To get you started in the right direction, here are a couple of examples that sell well on iStockphoto.com:<br /><br />This one has a strong business concept. Notice that the focus is on the hands:<br /><br /><img border="0" src="http://www.thephotographerslife.com/bizhandshake.jpg" /><br /><br />And here&rsquo;s one of my photos that fits a popular theme throughout the last few years -- a soldier&rsquo;s goodbye. It&rsquo;s a high seller for me on iStock, and there are no identifiable people in it:<br /><br /><img border="0" src="http://www.thephotographerslife.com/gbyegrandma.jpg" /><br /><br />This photo includes part of a face, but the person is still not identifiable:<br /><br /><img border="0" src="http://www.thephotographerslife.com/lipliner.jpg" /><br /><br />Of course, before you enter, make sure your photo is in-focus, properly exposed, and well-composed. And keep it decent, please -- this is a family-friendly e-letter. We&rsquo;re not afraid to delete any photos of body parts that wouldn&rsquo;t be fit for prime-time TV.<br /><br />Only one photo per person may be entered, and the photo must be taken by the entrant.<br /><br />To enter, send us your ONE best theme-appropriate photo. Multiple entries from the same photographer will be deleted before judging.<br /><br />Submissions for June&rsquo;s Photo Challenge are due by 8 a.m. EST on Monday, June 29, 2009. You can submit your photos by clicking on the &quot;This Month&rsquo;s Theme - Enter to Win!&quot; link on the right side bar of this page.<br /><br />Details about contest guidelines are here: <a href="http://www.thephotographerslife.com/photo_contest/guidelines">http://www.thephotographerslife.com/photo_contest/guidelines</a><br />]]>
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<entry>
    <title>Photo tip: Stock or Not Video</title>
    <link rel="alternate" type="text/html" href="http://www.thephotographerslife.com/advice_on_selling_photos/0905_stockornot/" />
    <link rel="service.edit" type="application/atom+xml" href="http://www.thephotographerslife.com/manager/mt-atom.cgi/weblog/blog_id=1/entry_id=311" title="Photo tip: Stock or Not Video" />
    <id>tag:www.thephotographerslife.com,2009://1.311</id>
    
    <published>2009-05-13T20:26:22Z</published>
    <updated>2009-05-28T14:03:34Z</updated>
    
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        <name>The Photographers Life</name>
        
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            <category term="Advice on Selling Photos" />
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        <![CDATA[Dear Reader,<br /><br />This week&rsquo;s photo tip is coming to you on video.<br /><br />I asked professional stock photographer, Shelly Perry, to pick a few photos from this month&rsquo;s Photo Challenge and tell you whether or not they would be suitable to sell as stock. <br /><br />Shelly did the whole thing on video so you can hear her full critique. Scroll down below to see which pictures made the cut...<br /><br />Lori Allen<br />Director, AWAI Travel Division<br /><br />*********************<br />May 13, 2009<br />The Right Way to Travel, Weekly Photo Tip<br />*********************<br /><br />IT&rsquo;S TIME FOR... STOCK OR NOT?<br />By Shelly Perry in Portland, OR<br /><br />The stock inspector in me is excited about this month&rsquo;s Photo Challenge -- it&rsquo;s filling up with some really strong shots. And though I can&rsquo;t see them at 100% to be sure that they meet all the technical requirements necessary for stock photographs, I can tell you that there are more than a handful in this month&rsquo;s Challenge that are worth a closer look.<br /><br />Here&rsquo;s how today&rsquo;s game of &ldquo;Stock or Not&rdquo; works... <br /><br />Note: As a stock inspector at istockphoto.com, I enlarge every photo that comes across my screen to 100% to check for flaws. As I can&rsquo;t do that with the photos uploaded for our monthly Photo Challenge (they&rsquo;re too small), I&rsquo;ll just have to assume that they meet all the necessary technical requirements and judge them only on their subject matter, composition, and appeal.<br /><br />Also Note: This video only discusses these photos in terms of their saleability as STOCK photographs. But just because a photo is not acceptable for stock, doesn&rsquo;t mean it isn&rsquo;t a great shot, or saleable to magazines, newspapers, and as fine art.<br /><br />The model release requirements are different for stock, magazines, and fine art, too. So my comments on this video about model releases may only apply to this image if it&rsquo;s sold as stock.<br /><br />Click here to watch &ldquo;Stock or Not?&rdquo; and find out which photos from the Challenge make the cut: <a href="http://www.thephotographerslife.com/eletter/0905_stockornot.mov">http://www.thephotographerslife.com/eletter/0905_stockornot.mov </a><br /><br />[Ed. Note: If you&rsquo;re getting some technical issues in your photos that make them hard to sell as stock, like motion blur, underexposure, and noise, it could be that you&rsquo;re not setting your camera at its ideal settings. Grab a set of Photo Tip Cards and keep them with your camera gear at all times. Then, you&rsquo;ll always have a little cheat sheet that can tell you which camera settings to use so you can get your best possible shot. Get a set here: <a href="http://www.thephotographerslife.com/tip/website">http://www.thephotographerslife.com/tip/website</a><br /><br />[ABOUT THE AUTHOR: Shelly Perry from Portland, Oregon, specializes in people photography, what she calls documentary or lifestyle portraits. Her images are seen all over the globe on music CD covers, books, magazines, catalogues, web sites, ad campaigns and even on TV. Shelly will be with us at the Ultimate Stock Photo Workshop this October in Santa Fe. Find out more, here: <a href="http://www.thephotographerslife.com/santafe">http://www.thephotographerslife.com/santafe</a> ] <br /><br />****************************<br /><br />(c) 2009 American Writers &amp; Artists Inc.<br />245 NE 4th Ave., Ste 102<br />Delray Beach, FL 33483<br />Phone (561) 278-5557<br />Fax (561) 278-5929<br />memberservices@awaionline.com<br /><br />To LEARN MORE, visit: <br />http://www.thetravelwriterslife.com <br />http://www.thephotographerslife.com <br /><br />]]>
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<entry>
    <title>April Winners: April&apos;s Fools Rush In</title>
    <link rel="alternate" type="text/html" href="http://www.thephotographerslife.com/eletter_archives/april09_winners/" />
    <link rel="service.edit" type="application/atom+xml" href="http://www.thephotographerslife.com/manager/mt-atom.cgi/weblog/blog_id=1/entry_id=309" title="April Winners: April's Fools Rush In" />
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    <published>2009-05-06T18:54:39Z</published>
    <updated>2009-05-28T14:03:24Z</updated>
    
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        <![CDATA[<p>Dear Reader,<br /><br />Here&rsquo;s your weekly photo dispatch with a list of last month&rsquo;s Photo Challenge winners&hellip; &nbsp;<br /><br />Lori Allen<br />Director, AWAI Travel Division<br /><br />P.S. This may be your last chance to get a set of AWAI Exclusive Photo Tip Cards while they&rsquo;re on clearance for 20% off and FREE shipping. One of the great things about these little cheat sheets is that you can carry them with you wherever you go. Just slip them into your camera bag or your back pocket. It&rsquo;s like having a pro photographer with you, telling you what settings to use for perfect sunsets, pro-quality portraits, sports action shots, and more. On sale until they sell out. Get a great deal on a set before they&rsquo;re gone, here: <a href="http://www.thephotographerslife.com/tip/website">http://www.thephotographerslife.com/tip/website</a> . <br /><br />*********************<br />May&nbsp; 6, 2009<br />The Right Way to Travel, Weekly Photo Tip<br />*********************<br /><br />APRIL&rsquo;S FOOLS RUSH IN -- WINNING ENTRIES<br />By Shelly Perry in Portland, OR<br /><br />Last month&rsquo;s theme &ldquo;April's Fools Rush In,&rdquo; certainly proved a challenge. But the harder the task, the more we can learn and grow. And it&rsquo;s great to see people rising to the challenge.&nbsp; Here are the winning three...<br /><br />** First Place goes to beggermann for &ldquo;Things Disappear in Our House&rdquo;<br /><br />** Second Place goes to artfinan for &ldquo;boom baba boom&rdquo;<br /><br />** Third Place goes to LJ for &ldquo;Over the Edge&rdquo;<br /><br />FIRST PLACE &ndash; THINGS DISAPPEAR IN OUR HOUSE <br /><br /><img border="0" src="http://www.thephotographerslife.com/contest/data/media/36/Things_Disappear_in_our_House.jpg" />&nbsp;<br /><br />Here is what Paul Hippauf, March&rsquo;s winner, had to say about his pick of &ldquo;Things Disappear in Our House&rdquo; by beggermann...<br /><br />&ldquo;The concept for this shot is humorous and delightful, with a simple, clean composition and uniform lighting -- even though it appears to be a composite. The composition also works for the theme, &lsquo;April&rsquo;s Fools Rush In,&rsquo; because of the gag concept. A fun image!&rdquo;<br /><br />SECOND PLACE &ndash; BOOM BABA BOOM<br />&nbsp;<br /><img border="0" src="http://www.thephotographerslife.com/contest/data/media/36/baba_1.jpg" /></p><p>This is a fantastic image. The subject is interesting, the lighting is well done, and the photographer managed to capture the woman&rsquo;s expression and the strange scene. Plus, it benefits from great post-processing. In fact, it&rsquo;s an excellent example of what post-processing can do for an image, which is something I encourage you to learn. Though I can&rsquo;t see the image at 100% to say for certain whether or not it meets technical standards, with a signed model release, it could be a good stock photo.<br /><br />[Ed. Note: Shelly post-processes every single photo she sells as stock. You can learn the Photoshop and Lightroom techniques she uses to perfect her shots without &ldquo;over processing&rdquo; them, at the Ultimate Stock Photography Workshop this October in Santa Fe: <a href="http://www.thephotographerslife.com/phw/santafe09">http://www.thephotographerslife.com/phw/santafe09 </a>]<br /><br />THIRD PLACE &ndash; OVER THE EDGE<br /></p><p><img border="0" src="http://www.thephotographerslife.com/contest/data/media/36/DSC_4535b.jpg" />&nbsp;<br /><br />This photo makes my palms sweat just looking at it. The photographer did a really nice job of foreseeing what was about to take place, preparing for the shot, and capturing the moment at the peak of the action. The boys are a bit too close to the center of the shot for me, but notice how the motion is moving into the frame. The photographer really pulled this photo into the theme with her title and description, too: &ldquo;I saw these boys out on a narrow ledge, 1,000 feet above the canyon floor. They were posing for their own cameras... so I waited. They were very fortunate that I was not their mom!&rdquo;<br /><br />Congratulations, winners! The first-place winner will receive a $30 gift certificate to the AWAI bookstore, and all winners will be entered into the Hall of Fame for a chance to win the $2,000 Grand Prize in October.<br /><br />ENTER TO WIN!<br /><br />Remember, this month's theme is &quot;Silhouettes and Shadows.&quot; Submit your photos by 8:00 a.m. EST, Monday, May 25th, 2009. If you're a first-time user, you'll need to register first on the &quot;register&quot; link on the right side bar. Once you have a username and password, click &quot;Enter to Win&quot; to upload your photo. Only one photo per applicant will be considered.<br /><br />[ABOUT THE AUTHOR: Shelly Perry from Portland, Oregon, specializes in people photography, what she calls documentary or lifestyle portraits. She is known especially for her imaging of children. Shelly&rsquo;s concern for people is reflected both in her sense of purpose and the images she produces.&nbsp; Her images have been seen all over the globe on music CD covers, books, magazines, catalogues, web sites, ad campaigns and even on TV. Her work has also appeared in several local exhibits and gallery shows. To meet Shelly in person, visit: <a href="http://www.thephotographerslife.com/santafe">http://www.thephotographerslife.com/santafe</a>] <br /><br />****************************<br /><br />(c) 2009 American Writers &amp; Artists Inc.<br />245 NE 4th Ave., Ste 102<br />Delray Beach, FL 33483<br />Phone (561) 278-5557<br />Fax (561) 278-5929<br />memberservices@awaionline.com<br /><br />To LEARN MORE, visit: <br />http://www.thetravelwriterslife.com <br />http://www.thephotographerslife.com <br /><br /></p>]]>
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<entry>
    <title>Mastering motion in a photograph</title>
    <link rel="alternate" type="text/html" href="http://www.thephotographerslife.com/photography_tips_and_tricks/motion/" />
    <link rel="service.edit" type="application/atom+xml" href="http://www.thephotographerslife.com/manager/mt-atom.cgi/weblog/blog_id=1/entry_id=308" title="Mastering motion in a photograph" />
    <id>tag:www.thephotographerslife.com,2009://1.308</id>
    
    <published>2009-05-02T18:58:14Z</published>
    <updated>2009-05-01T19:24:14Z</updated>
    
    <summary></summary>
    <author>
        <name>The Photographers Life</name>
        
    </author>
            <category term="E-Letter Archives" />
            <category term="Photography Tips and Tricks" />
    
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        <![CDATA[Dear Reader,<br /><br />There&rsquo;s a trick to taking good people photographs.<br /><br />Because there&rsquo;s no such thing as a composition &ldquo;rule&rdquo; in photography, it doesn&rsquo;t work on EVERY photograph. But if you use this tip, I&rsquo;m sure your action shots will improve.<br /><br />Scroll down for details&hellip;<br /><br />Lori Allen<br />Director, AWAI Travel Division<br /><br />P.S. I got a couple calls about our upcoming photography workshop in Ecuador this week. You&rsquo;ll find pictures from last year&rsquo;s event, testimonials from previous attendees, and a bunch of articles I wrote about the trip, here: <a href="http://www.lorisentmeecuador.com">http://www.lorisentmeecuador.com</a><br /><br />*******************<br />May 2, 2009<br />The Right Way to Travel <br />*******************<br /><br />COMPOSITISON BASICS: MASTERING MOTION<br />By Shelly Perry in Portland, OR<br /><br />Many photography basics aren&rsquo;t strict rules that you have to follow all of the time.&nbsp; Instead, they&rsquo;re guidelines to help you compose an attractive -- and saleable -- photograph. <br /><br />One of the most important guidelines is the &ldquo;Rule of Thirds,&rdquo; which keeps your composition fresh and interesting by making sure your subject isn&rsquo;t dead center in the photo. (Read more about the Rule of Thirds here: <a href="http://www.thephotographerslife.com/rule_of_thirds">http://www.thephotographerslife.com/rule_of_thirds</a>)<br /><br />Once you&rsquo;ve mastered that, you can move on to more advanced guidelines, like making sure that the motion in your photo, whether real or implied, is moving into the shot... not out of it. <br /><br />Here&rsquo;s an example in which the subject of the photo (a person running) is moving into the photograph:<br /><br /><img border="0" src="http://www.thephotographerslife.com/joggingin.jpg" />&nbsp;<br /><br />Notice that the runner is right on the left Thirds Line. She hasn&rsquo;t yet hit the middle of the photo. And as she moves into the photo, our eyes are propelled along with her.<br /><br />Here&rsquo;s what it would look like if she were jogging out of the photo frame, instead:<br /><br /><img border="0" src="http://www.thephotographerslife.com/joggingout.jpg" />&nbsp;<br /><br />The viewer&rsquo;s eyes will tend to follow her right off the edge of the photo, essentially &ldquo;wasting&rdquo; the space behind her.<br /><br />Here&rsquo;s another example of motion moving into the frame:<br /><br /><img border="0" src="http://www.thephotographerslife.com/couplewalkingin.jpg" />&nbsp;<br /><br />As you compose a shot like this, you need to think carefully about the position of your subject. Since the couple has the rest of the frame to walk across, this shot works: Our eyes tend to move with the direction of the motion. Had the photographer waited until the couple had already passed to the left side of the photo, our gaze would follow them right out of the frame, leaving all the space behind them as wasted real estate. <br /><br />In the first two examples, it&rsquo;s pretty clear that the subjects are in motion. But even if there&rsquo;s no obvious motion in your photo, there is usually some kind of implied motion. It&rsquo;s a little trickier to make sure the implied motion of your subject is moving into the photo. <br /><br />Taken from last month&rsquo;s Photo Challenge, here is a really good example of implied motion moving into the shot:<br /><br /><img height="450" width="431" border="0" src="http://www.thephotographerslife.com/contest/data/media/35/Fooling_Around_in_SF.JPG" />&nbsp;<br /><br />As you can see, there is no real motion whatsoever, but with all those heads tossed back and looking into the air, we follow their gazes into and through the frame. It&rsquo;s a nice strong composition.<br /><br />Here&rsquo;s another example of a shot without real movement:<br /><br /><img border="0" src="http://www.thephotographerslife.com/girllookingdown.jpg" />&nbsp;<br /><br />But with the subject&rsquo;s back to the wall and her body facing right, our eyes follow her implied motion into the frame. <br /><br />Keep this in mind when you compose your silhouette and shadow shots for this month&rsquo;s Photo Challenge. Here are some good examples of silhouettes or shadows moving into the photo:<br /><br /><img border="0" src="http://www.thephotographerslife.com/bikesilhouettes.jpg" />&nbsp; <br /><br /><img border="0" src="http://www.thephotographerslife.com/shadowonbeach.jpg" />&nbsp;<br /><br />Of course, there are times that you may want to break this rule. By all means, go for it -- it&rsquo;s in experimenting and breaking rules that we can discover some wonderful creative expression. Just know that you are doing it on purpose, and for the right reason... and the other 95% of the time, try to use motion to bring the viewer into the shot.<br /><br />[ABOUT THE AUTHOR: Shelly Perry from Portland, Oregon, specializes in people photography, what she calls documentary or lifestyle portraits. She is known especially for her imaging of children. Shelly&rsquo;s concern for people is reflected both in her sense of purpose and the images she produces. Her images have been seen all over the globe on music CD covers, books, magazines, catalogues, web sites, ad campaigns and even on TV. Her work has also appeared in several local exhibits and gallery shows. <br /><br />She&rsquo;ll be with us this July in Denver, Colorado, with tips for selling magazine-quality photos along with your articles. Sign up now for a huge Early Bird discount, here: <a href="http://www.thetravelwriterslife.com/tww/denver09">http://www.thetravelwriterslife.com/tww/denver09</a> ]<br /><br />*******************************<br /><br />The Right Way to Travel is a FREE newsletter from the American Writers &amp; Artists Inc., available to AWAI members and friends.<br /><br />This newsletter is coming to you because you are either a member of The Ultimate Travel Writer's Program or Turn Your Pictures into Cash, or you have opted to receive information about getting paid to travel from the AWAI Travel Division. <br /><br />(c) 2009 American Writers &amp; Artists Inc.<br />245 NE 4th Ave., Ste 102<br />Delray Beach, FL 33483<br />Phone (561) 278-5557<br />Fax (561) 278-5929<br />memberservices@awaionline.com<br /><br />To LEARN MORE, visit: <br />http://www.thetravelwriterslife.com<br />http://www.thephotographerslife.com <br /><br />To ADVERTISE in The Right Way to Travel, email Jackie Flynn at jflynn@awaionline.com<br /><br />CHANGE OF ADDRESS? E-mail us at memberservices@awaionline.com with both your old AND new information in the body of the message.<br /><br />]]>
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<entry>
    <title>May Photo Challenge Theme: Silhouettes and Shadows</title>
    <link rel="alternate" type="text/html" href="http://www.thephotographerslife.com/eletter_archives/may09_theme/" />
    <link rel="service.edit" type="application/atom+xml" href="http://www.thephotographerslife.com/manager/mt-atom.cgi/weblog/blog_id=1/entry_id=306" title="May Photo Challenge Theme: Silhouettes and Shadows" />
    <id>tag:www.thephotographerslife.com,2009://1.306</id>
    
    <published>2009-04-30T22:57:22Z</published>
    <updated>2009-05-01T18:19:21Z</updated>
    
    <summary></summary>
    <author>
        <name>The Photographers Life</name>
        
    </author>
            <category term="E-Letter Archives" />
    
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        <![CDATA[Dear Reader,<br /><br />Here&rsquo;s this month&rsquo;s Photo Challenge Theme...<br /><br />Remember, every month, first-, second-, and third-place winners are automatically entered into the Grand Prize Photo Challenge -- coming up in October -- for a chance to win $2,000 (just in time for holiday shopping season). Read on for details and this month&rsquo;s theme...<br /><br />Lori Allen<br />Director, AWAI Travel Division<br /><br />P.S. If you&rsquo;re having trouble with these monthly photo challenges, you&rsquo;ll find our exclusive Photo Tip Cards on sale for 20% off PLUS free shipping, here: <a href="http://www.thephotographerslife.com/tip/website">http://www.thephotographerslife.com/tip/website</a> .<br /><br />Want better night photos? Pull out the Night Photography card and it&rsquo;ll explain how best to set up your camera. Want better sunset photos or photos in the rain? Pull out the Sunset or Rain Photography cards and you&rsquo;ll find everything you need to know about setting up your camera, taking the best shots, and improving your photos for sale to stock agencies, magazines, and more. Details here: <a href="http://www.thephotographerslife.com/tip/website">http://www.thephotographerslife.com/tip/website</a><br /><br />*******************<br />May 1, 2009<br />The Right Way to Travel, Weekly Photo Tip<br />*******************<br /><br />SILHOUETTES AND SHADOWS<br />By Shelly Perry in Portland, OR<br /><br />It&rsquo;s no big secret that adding people to your photographs makes them all the more compelling and saleable. But there are times, for one reason or another, that adding a recognizable person is just not feasible. <br /><br />Luckily, there are other ways to include a human element in your photos without needing to secure a signed model release. It&rsquo;s with that idea in mind that I introduce this month&rsquo;s Photo Challenge Theme: Silhouettes and Shadows.<br /><br />Creating shadows in your photos is pretty straightforward. You simply use a person&rsquo;s shadow -- instead of their body -- as the dominant subject of the shot. Use all your compositional skills, maintain proper exposure, and focus on the shadow.<br /><br />Creating compelling photos of silhouettes, on the other hand, can be a little tricky. Here are a few key points to remember:<br /><br />** Generally, you will need to shoot early in the morning or late in the day. Watch for a strong, back-lit situation, meaning that the light is coming from behind your subject. Think sunrise, sunset, or even a nice strong light from a window.<br /><br />** Set your exposure for the brightest part of the scene, not the person who you&rsquo;re trying to turn into a silhouette. (Note: If you don&rsquo;t know how to do this, use this shortcut: Point your camera at the lightest part of your image -- the sky or the window -- and half-way depress the shutter button. With the button half pressed, recompose your shot and when you&rsquo;ve got the picture you want on your screen or viewfinder, push the shutter the rest of the way down to take the picture).<br /><br />The goal is for your subject (whoever you&rsquo;re photographing) to fall into shadow, leaving you with nothing more than an outline of their body (this is one way you can sell people shots without a model release.) <br /><br />** Be sure to turn off your flash. <br /><br />** Focus should usually be on the silhouetted subject. If you use the shortcut above to get the exposure, you may have to use manual focus to make this work. If you don&rsquo;t have a manual focus option, turn your camera to manual mode and set your the f-stop and shutter speed to properly expose the brightest part of the photo. Then, you&rsquo;re free to focus on the subject. (This article from our archives can help if you&rsquo;re not sure how: <a href="http://www.thephotographerslife.com/better_outdoors">http://www.thephotographerslife.com/better_outdoors</a> )<br /><br />Remember, when shooting either silhouettes or shadows, that the more distinct and exaggerated the subject, the better. Just because a photo has a shadow or a silhouette in it somewhere, that doesn&rsquo;t mean the shadow or silhouette makes a good subject. Compose your shot with purpose, making the subject obvious to the viewer.<br /><br />Here are a few examples to get you started...<br /><br />Here is a nice strong silhouette: <br /><br /><img border="0" src="http://www.thephotographerslife.com/silhouettefish.jpg" /> <br /><br />Here is a shot that has both a silhouette and shadow (it's sold on iStock.com upside-down this way):<br /><br /><img height="372" width="323" border="0" src="http://www.thephotographerslife.com/shadowlove.jpg" />&nbsp;<br /><br />Here is a nice use of a shadow:<br /><br /><img border="0" src="http://www.thephotographerslife.com/shadowpeople.jpg" />&nbsp;<br /><br />And your silhouette and shadow subjects don&rsquo;t have to be people:<br /><br /><img border="0" src="http://www.thephotographerslife.com/windmills.jpg" />&nbsp;<br /><br />Only one photo per person will qualify, and the photo must be taken by the entrant. <br /><br />To enter, send us your ONE best theme-appropriate photo. Multiple entries from the same photographer will be deleted before judging.<br /><br />Submissions for May&rsquo;s Photo Challenge are due by 8 a.m. EST on Monday, May 25, 2009. You can submit your photos by clicking on the &quot;This Month&rsquo;s Theme - Enter to Win!&quot; link on the right side bar of this page.<br /><br />Details about contest guidelines are here: <a href="http://www.thephotographerslife.com/photo_contest/guidelines">http://www.thephotographerslife.com/photo_contest/guidelines</a><br /><br />[Ed. Note: Professional photographer Shelly Perry makes the majority of her income selling her shots on iStockphoto.com. She&rsquo;s also a photo inspector for iStock. She gets to decide which photos make the cut. You can send your photos to Shelly to see if they&rsquo;re saleable -- and learn how to get the best possible shot every time -- here: <a href="http://www.unlimitedphotocritiques.com">http://www.unlimitedphotocritiques.com</a> ]<br /><br />*******************************<br /><br />The Right Way to Travel is a FREE newsletter from the American Writers &amp; Artists Inc., available to AWAI members and friends.<br /><br />This newsletter is coming to you because you are either a member of The Ultimate Travel Writer's Program or Turn Your Pictures into Cash, or you have opted to receive information about getting paid to travel from the AWAI Travel Division. <br /><br />(c) 2009 American Writers &amp; Artists Inc.<br />245 NE 4th Ave., Ste 102<br />Delray Beach, FL 33483<br />Phone (561) 278-5557<br />Fax (561) 278-5929<br />memberservices@awaionline.com<br /><br />To LEARN MORE, visit: <br />http://www.thetravelwriterslife.com<br />http://www.thephotographerslife.com <br /><br />To ADVERTISE in The Right Way to Travel, email Jackie Flynn at jflynn@awaionline.com<br /><br />CHANGE OF ADDRESS? E-mail us at memberservices@awaionline.com with both your old AND new information in the body of the message.<br /><br /><br /><br /><br /><br /><br />-----------------<br />To UNSUBSCRIBE to this free service, click here:<br />http://www.thetravelwriterslife.com/unsubscribe <br /><br />]]>
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